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FREE Photography Studio Lighting Setups Questions and Answers Flashcards

6 cards from real Photography practice questions. Tap to flip, then mark Knew It or Still Learning โ€” missed cards come back until you master them.

Read the first 6 FREE Photography Studio Lighting Setups Questions and Answers flashcards as text
  1. What is the primary purpose of a fill light in a studio lighting setup?

    Answer: To reduce the contrast of shadows created by the key light

    A fill light is positioned opposite the key light to soften and reduce shadow contrast without eliminating shadows entirely.

  2. In a butterfly lighting setup, where is the key light positioned relative to the subject?

    Answer: Directly above and in front of the subject's face

    Butterfly lighting places the key light directly above and in front of the subject, creating a symmetrical shadow beneath the nose that resembles a butterfly.

  3. What modifier would best produce a large, soft, wraparound light source for portrait photography?

    Answer: A large octabox or softbox

    Large octaboxes and softboxes spread light over a wide area, producing soft shadows and even illumination that wraps around the subject.

  4. What is the typical lighting ratio for a high-key studio portrait?

    Answer: 1:1 to 2:1 with minimal shadow contrast

    High-key portraits use a low lighting ratio of 1:1 to 2:1, producing bright, evenly lit images with minimal shadows.

  5. When using a three-point lighting setup, what is the role of the hair light?

    Answer: It separates the subject from the background by highlighting the hair and shoulders

    The hair light, also called a rim or separation light, is placed behind and above the subject to create an edge highlight that separates them from the background.

  6. What happens when you move a studio strobe closer to your subject while keeping the power setting the same?

    Answer: The light becomes relatively larger and softer with increased intensity

    Moving a light closer makes it relatively larger compared to the subject, producing softer light, while the inverse square law causes a significant increase in intensity.